Donald & Lydia


“They’re just very shy, too shy to introduce themselves, nobody introduced them so they kinda fell for each other just in their dreams.”John Prine (1034)

Hello In There


“I had heard John Lennon sing ‘Across The Universe’ and there was a lot of echo on his voice and it made me start thinking about hollering into a hollow log or something going, “Hello, Hello, Hello in there. Is there anybody in there?” That’s kinda what the song came out of. Then it became something you would find out by having a conversation with somebody. Get them to talk about stuff. A lot of elderly people have a whole lot of stories to tell but they need somebody to ask them what they are.”John Prine (1034)

Sam Stone


“I’d just gotten out of the service. I got drafted in January of ’66 just after LBJ had committed or gone from 23,000 troops in Vietnam to 250,000 and everybody who just got drafted thought, “that’s where we’re going.” They sent me to Fort Polk, Louisiana to trawl round the swamp so I figured, “this is where I’m going,” they’re teaching you all of this, you know. And when it came the day for us to get our orders, me and three other guys got our orders for Germany. I’m still dancing. About five of my buddies who got drafted at the same time, a lot of them ended up in Vietnam, they came home but none of them were ever the same people, regardless of whether they were in combat or anywhere near it. Just being over there going day after day with nothing happening then you’d be walking to get a beer with a buddy and he’d step on a mine. It was like this tension and then they had nothing to do so they just got high all the time. They’d come home and it’s almost like the way people talk about being incarcerated – when they get out they don’t tell them how to live out on the street…you’re training to go into the military is so intense, they take your individuality away from you then they leave you hanging like that when you get out. You still think you’re supposed to jump when a siren goes off. But I had different guys, they all had different stories and I wanted to explain to myself what was happening with the veterans coming back from Vietnam. I saw a thing on the news one night where vets came home from Vietnam via San Francisco, some protestors spit on them and stuff which didn’t sit right by me. I tried to right a song about vets from their perspective.”John Prine (1034)
“There’s no one person who was the basis for Sam Stone, more like three or four people; like a couple of my buddies who came back from Vietnam and some of the guys I served with in the army. At that time, all the other Vietnam songs were basic protest songs, made up to slap each other on the back like “Yeah, this is the right cause.” I don’t remember any other songs that talked about the soldiers at all. I came up with the chorus first and decided I really liked the part about the “hole in daddy’s arm.” I had this picture in my mind of a little girl, like Little Orphan Annie, shaking her head back and forth while a rainbow of money goes into her dad’s arm. I think I invented the character of Sam Stone as a story line just to get around to that chorus.”John Prine (1035)

Dear Abby


“I was in Europe and my first wife and I stopped in Rome for the day. I wanted a newspaper and all they had was the International Herald Tribune which is all the tragic news in the world crammed into six pages with no sports results and no comics. And yet here’s “Dear Abby.” She was the only relief in the whole paper. and that’s where I wrote most of the song—in Rome, Italy that is. Years later somebody took the verse about the guy whose stomach makes noises, wrote it just out of kilter enough so it didn’t rhyme, and send it to “Dear Abby.” And she answered it in her column. She suggested that he seek professional help. She got loads of letters from people who knew the song and told her she’d been had.”John Prine (1035)

Illegal Smile


“I have to confess, the song was not about smokin’ dope. It was more about how, ever since I was a child, I had this view of the world where I can find myself smiling at stuff nobody else was smiling at. But it was such a good anthem for dope smokers that I didn’t want to stop every time I played it and make a disclaimer.”John Prine (1035)

Paradise


“I wrote it for my father mainly so he would know I was a songwriter. Paradise was a real place in Kentucky, and while I was in the army in Germany, my father sent me a newspaper article telling me how the coal company had bought the place out. It was a real Disney-looking town. It sat on the river, had two general stores, and there was one black man in town, Bubby Short. He looked like Uncle Remus and hung out with my Granddaddy Ham, my mom’s dad, all day fishing for catfish. Then the bulldozers came in and wiped it all off the map.”John Prine (1035)

Sabu Visits The Twin Cities Alone


“I wrote this song about Sabu the elephant boy and I realized afterwards that the song was about me on the road but I didn’t know it at the time.”John Prine (1034)

Speed Of The Sound Of Loneliness


“I wrote that song to explain something to myself. I was going through a relationship that was breaking up. I had a picture from the cover of ‘Life’ magazine of the guys who broke the speed of sound on the ground and they had the G-forces pulling the guy’s face back and I felt that was my heart. So I was trying to explain how you do that, how you get to the point of stretching your heart out like that in a relationship.”John Prine (1034)

Angel From Montgomery


“It’s a song about a woman who feels older than she is.”John Prine (1034)